The Higurashi Notes, Chapter 1: Onikakushi-Wild Mass Theorizing

So after all that, we come around to the big question.  What exactly is going on in Higurashi?  The first chapter, Onikakushi, has no answers.  But it does have some fuel for speculation.  And you know what?  In the latest chapter released, the developers straight up ask you to spend some time on the speculation.  So let’s do that.


Now, there’s two main questions the game leaves hanging.  Why, and HowWhy does the town hate Keiichi?  Why do his friends keep turning evil and trying to kill him?  Why do people get murdered there?  And How all of that?

Let’s explore this.  I do want to say, I’m going to do my best to avoid spoilers here, and limit things to content as presented in this chapter.  But, honestly, some of these conclusions are informed by what’s been presented in the other question arcs, and really, I’m not going to be able to get around that.

Anyways, let’s go into some random guesses as to what all makes things work in this story.  I’m not entirely convinced in all of these, in fact, some of them I’m pretty sure the story will never even consider.  But they’re all taking up some mental real estate.  And you know what, before we get into the meat of it, let’s get one thing out of the way.

Natural vs. Supernatural


Right, so I said earlier we could just brush this question off.  And really, we can.  But I figure, this chapter makes something of a deal of it, so we may as well address it.  In brief.  Because that’s all this question deserves.

Are the weird happenings in this game the acts of men?  Are the consistent murders a series of copycat killers?  Are the villagers getting organized to expulse any outsider they consider a threat to their operations?  Is there some sort of conspiracy going on among the major families to maintain the village in just the way they want by force if necessary?  Or is it the act of otherworldly beings?  Is Oyashiro-sama real and working to purge the village?  Are there truly demons among the villagers?

Again, this is a question this chapter tries to raise, and definitely the one it wants you speculating on, but I don’t think it’s very material to the story.  Some being is making murder, whether it’s a human or a spirit doesn’t make much difference in the end.  And really, this chapter doesn’t give you anything to base it off of.  The idea of the supernatural is raised, but if you take Keiichi’s fractured sanity into account, you don’t see anything concrete as to how it’s acting.  Unless that fractured sanity is how it’s acting.  But even that could be the drug they allude to.  They don’t give you enough either way to foster good speculation on that. 20160709181328_1.jpg

For what it’s worth, given the direction the story’s been going, even in this chapter, I’m of the opinion that there’s at least some supernatural element there.  The people are definitely involved in it, at least as far as covering it up goes, but there is some magic involved either in the actual execution of the murder/disappearances, or in the organizing people to do such.  I just don’t think the lead they’ve given and the way the following chapters progress will make much sense if there’s something beyond human running behind it.  But it’s not completely supernatural, because this is a character-driven story, and all that actual characters are human.  If you take the humans out of it, then you’ve wasted at least the early chapters.  So some mix of human and supernatural is where it’s at.  If it’s not, I will refund you the price of reading this blog post.  What do you have to lose?

The Theorizing

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Keeping up the Fight

If you’ve been following along with us for any length of time, you’ve probably picked up a few quality Aether facts.  Such as that I am awesome and everyone wants to be my friend.  Or that I am almost impossibly sexy.  Or that I’ve been spending the past many years on a personal quest to beat all the games I own.

As much as I would love to talk to you about either of the first two today, let’s be a little bit more productive and spend some time on the third one.

So, just to run through the deets, basically, how this works is that I’ve been working my way up through my entire collection of videogames, in blocks equivalent to the console generations, starting with the oldest and moving forwards through time.  Every game, I do what I can to beat.  No matter how bad it is.  I mean, I forced myself all the way through Fur Fighters, and already we’re scraping the bottom of the barrel with that.  Now, there are some games I’m not capable of beating, some games that just fall apart due to bugs partway through, and some games that legitimately completely run out of new content long before you can call them beaten.  And I do give myself allowances for that.  Not many, because I am an absolute warbeast with the patience of a saint.  After all, I beat Fur Fighters.  I guarantee you know nobody else who’s done that.  But no, the point is, I’ve got a collection of games, most of which have fallen before me already, but not all of which that has.  One by one, I’m on a quest to bring them all in line.

My quest is not a quick one.  Nor an easy one.  In fact, I’ve been at it for years, and am now only around halfway through.  Since I started, I’ve lived in three different houses, gone through so many life changes, and have gained control of the power cosmic supreme.  Yeah.  I’ve got somewhere along the lines of 600-700 games in my collection.  When I’m trying to see them all through, yeah, it takes some time.

Sometimes, I wonder why I’m doing this.  I don’t have any inclination of stopping, but I try to draw my mind back on why I started, and, well, I don’t rightly know.

Which is okay, really.  When you’re as great as I am, sometimes, you just do awesome things on instinct.  But it is nice to know the reasoning behind it, at least.

Part of it does lie in the thought that games are some form of art, and art does have intrinsic value.  Yes, even Fur Fighters.  No matter how bad the actual game is, even the absolute shovelware, someone had to put a lot of time, devotion, and character into making it happen.  That’s something that may not be obvious until you start plumbing the depths and forcing yourself to find the gold in the straw, the diamond in the rough, the me in this unworthy world.  I’ve yet to find a game in my collection that, painful though it may be, did not have at least something to share.

And part of it is that I take some sort of ownership of the games I obtain.  I chose to make them part of my collection, part of my gaming life.  It feels like a disservice to myself to take them in and not explore them.  Like I’ve given myself an opportunity for an experience, and never taken it.

And really, there are some games that I just wouldn’t be touching if I didn’t make myself do something like this.  Games change, as they progress, and the experience at the end is usually, for better or worse, a rather different one than that you find at the beginning.  Even with the bad games, that can be something worse seeing.  Tastes change, too.  Once upon a time, Killer 7 topped my Top 10 Worst Games list on some random site.  I played it as part of this journey, and actually found myself mildly pleased with it.  I never would have touched Kingdom Hearts II again, because I had a really dreck time with the first time I played it.  Years later, it’s the same game, yet I enjoyed it quite a bit more.

It’s also interesting, following the lines that the development of the medium has been following.  How inspiration and creativity flows from one endeavor to another.  It’s one of those things that often only really becomes obvious in hindsight, but with the benefit of knowing where this is all going, you can really follow along with how this medium, an infant compared to most other, is really growing.

So I may not know why I started this, but I’m not going to stop until I have dominated this quest as I dominate all things.  And along the way, I feel it does help me enjoy the games I own in a way I wouldn’t have otherwise.

So what do you say we play some games, eh?

A Player’s Fatigue


God of War should have been a great game.  It had everything going for it.  The mechanics, the design, the care.  And you know, it was a pretty revolutionary game.  It deserved to be, with everything the developers put into it.

But it had one big flaw that turned the whole experience way down, left it short of being truly ‘great’.  In fact, that’s something I’ve noticed a lot of games fall into.  One bit of wisdom that my quest to beat everything has given me.  So many games have it all going on, have got their groove pretty straight in pretty much all aspects, except it’s just one aspect that doesn’t get the attention they deserve or one single mistake that brings the whole experience down.

Anyways, God of War does that.  It has that one big thing that ruins it.  And you know, that one big thing is a big thing that it shares with a lot of other games.  God of War just happens to be a bit of a better example than most.  And that is the problem of the player’s fatigue.

You hear it all the time.  Games bragging about how long they last.  Those good old “100+ hours of gameplay!!!!!111oneone” that are supposed to show you’re getting your money’s worth.  Plenty of players, I’ve seen, have been justifying their purchasing decisions based on how much time a game takes to complete, too.  People don’t seem to realize that all that time doesn’t count if it sucks.

But it’s one thing to just throw in lots of padding or unpolished gameplay.  To waste your time in the interest of getting that number up.  That’s a horrible, horrible thing, and there’s been plenty of dialogue about that in the gamosphere already.  You don’t need a sexy genius blogger to tell you about that.  Rather, God of War’s problem, and those of its ilk, is a bit different.  A bit more subtle.  Although it hasn’t aged the best, God of War is definitely a quality experience, mostly throughout.  It rarely just wastes your time the way so many of those punchclock games do.  It’s got a lot going for it, it just stretches these things a little bit farther than they should.


Things just take too long, in God of War.  There’s content for it, it’s not padding, it just takes too long.  Levels start stretching on and on, fights keep going as enemies pour in to replace those you’ve slain, and the gods’ whiny “omg got 2 kull areeeeees!” gets hammered into your skull over and over again.  Every little thing makes its point and then some.

It’s far from unique to God of War, too.  Remember how Persona 3 was super great, then you got to the Nyx Avatar fight and it’s a 14 stage final boss that takes half damage from everything and will charm you into fully healing her over and over again unless you’ve already beaten her and know to prepare?  You remember how every single level in Alan Wake was the same bloody forest?  You remember the final level in whatever the last game was that you beat and how the designers hit crunch time and just decided to start with the CTRL+C, CTRL+V model of game design?

So yeah.  It’s not a good thing.  For a very good reason.  Video games are very kinetic, much more than most other mediums.  Players should be feeling something.  Excitement.  Accomplishment.  Empathy.  Awe at how great that Aether guy is at video games.  Emotions naturally run high in games, as their active nature draws out whoever’s playing.  But emotions also take mental energy than a passive observer would be giving off.  And when you draw too much mental energy without cycling it with something, that’s where you run into fatigue.

Usually, this comes up when the player stops feeling like they’re being productive.  When the level goes on and on without changing, it becomes less “oh, what a huge level” and more “oh, I’m just not getting anywhere”.  Likewise, when God of War’s respawning new enemies in the middle of the fight that are exactly the same as the ones you just killed, kind of makes you feel like you’re just spinning your wheels in the mud.  It feels like grinding.  If you make a player go through the same thing over and over again, no matter how good the fluff or the mechanics, eventually it stops being fun and just starts getting to be work.

In most any progressive story, it takes a bit of a break or change to keep that mental energy up.  It’s an odd thing.  Although mental energy doesn’t really take any actual energy, it’s still important to manage.  That’s why books are always swapping chapters of POVs right when it hits the climax.  Just that small bit of change and variation keeps things feeling fresh.  When you go so long without that, that’s when things start to wear thin.  Then you get people on the internet complaining.  Who wants that?

So, in summation, if you ever find yourself playing God of War, remember to be appropriately grumpy about it.  It’s a good game, sure, but grumpiness is the order of the day all the same.

Visual Novel Theatre: Everlasting Summer

Hey, you remember when those degenerates at 4chan decided to make a visual novel, and how they were supposed to make something horrible and shameful and a blight on society but they threw a big curveball at us by actually making something really meaningful?  What if Katawa Shoujo wasn’t just a one off?  What if that exact same thing happened again?  And while we’re playing with our fun little vision, let’s imagine that everyone was wearing giant furry hats while they were doing it.


And that brings us to Everlasting Summer.  No, it’s not a 4chan game.  Rather, this one came from the minds at… well, whatever they have going on at IIchan, a Russian imageboard.  Now, I don’t know anything about IIchan.  I got out of the whole chan culture around the time the edgelord thirteen year olds started flooding it.  Which, really, aside from the somewhat shared origins, Everlasting Summer doesn’t really have a whole lot in common with Katawa Shoujo that isn’t absolutely standard for the form, so let’s let the comparisons drop there.

So, Everlasting Summer is a romance story that you can turn into a sorta-eroge assuming you hang around all the right (or very wrong) places on the internet.  It’s Russian.  Very Russian.  It does its best to not be inaccessibly Russian, and does a very good job of that, but yeah, it’s Russian.  Be prepared for that.  Also, full of references to Russian imageboard memes that are guaranteed to fly right over your head.  It first seems a slightly oppressive dark paranormal mystery, then turns into a light fluffy romance with somewhat malevolent overtones, then, when you know where to look, those overtones start taking over and the mystery comes way to the fore, then the story just kind of peters out without going anywhere at the end.  Oops, spoilers.  I did find it to be a pretty enjoyable ride up until then though.  Also spoilers.  Sorry if you were hoping to whiteknuckle things all the way to the end of this rollercoaster of a review.


Everlasting Summer places you in the surprisingly roomy pants of Semyon, an anime obsessed shut-in who spends his life on imageboards and who hasn’t had a meaningful interaction with another human being in years.  I am struggling so much not to ‘accidentally’ confuse him with one of the many other people I know who fits the description. Continue reading

Bringing you to the Blog, 2016 Edition

Hey, so it’s been an Aether asskicker of a month.  You may have noticed this, as you felt that vague sense of depression settling in, as you noticed that you don’t have as much new Lost to the Aether content as usual.  Yeah, that happens sometimes.  I’m trying to defeat the final boss known as real life right now, and you know, this stuff takes time.

So, my schedule won’t clear up for another week or so.  I’m halfway through my next post here, but clearly not going to have it done in time to make your lives better this week.  But I don’t want to leave all you guys hanging, so I figured, hey, let’s pull out a good old mainstay here, and take a look at some of the search terms that are introducing you to the blog.  And hey, as it turns out, a lot of people on the internet are weird.  And many of those are reading these words.  Let’s make fun of them!

yandere simulator porn

So, this year, I tried to stem the tide of people looking for Yandere Simulator and accidentally finding the similarly-named Yandere-chan by, you know, actually writing about Yandere Simulator.  And only a little bit about porn.  In doing so, I was trying to perform a public service for the internet at large.  Helping people actually find something relevant to what they’re looking for, rather than getting them confused by the similarly named games.

yandere chan porn

Hey look!  It worked!  No more mistaken placements here!


yandere simulator yandere chan porn

Okay, yeah, you made your point.

sexy female dragon

I write about being sexy a lot.  I get it.  The state of being that is sexiness is something I have to live with constantly.  It is both my blessing and my curse.  So it ends up coming out through my writing fairly often.  So I see how that would draw a lot of those types of search terms.

Even so, I don’t think I’ve ever written about lusty dragons.  What the blazes, Google?

세인츠로우3 모닝스타

How… even… Okay, so Google translate says this is looking for Saints Row 3 material.  Which I’ve definitely written about.  Even so… Well, I guess the excellence of my writing just crosses language barriers.  It’s like a smile.

drops of god 12 apostle spoiler

Wikipedia will spoil that for you.  Seriously, given that the series gave up in English after five volumes, and even the Scanlators don’t bother, Wikipedia is the closest thing to an official English  language source.

why is sephiroth left handed

How else would you represent the coolest and most supreme character of the game?  Seriously, you want something to represent that someone is just plain better than anyone else, make them left-handed.

real life yandere stories

Please no.  Like, I get that there’s that fascination that drives people to look up serial killer stories, but still.  That’s too much of my life in there for me.

yandere simulator real story porn

No.  No.  Just no.

hybrid heaven 2


aether sex videos

We’ve been through this already.  Yes, I’m very sexy.  Yes, I am the perfect lady’s man.  But I know fully well to leave that stuff in the bedroom.

You will never find it.

leave it to beaver retrospective part 3

Wut.  I don’t think I’ve ever even mentioned Leave it to Beaver.  I can’t imagine how many pages you must have gone through in Google to find your way here.

freytag’s pyramid no words

Something tells me I just helped some kid with his/her homework.

good aether sexy video

Nice try.  Still no.



The Higurashi Notes, Chapter 1: Onikakushi – The Club

The Club


So let’s go ahead and start getting in on the people our poor, tragic Keiichi has been hanging out with.  The people he loves.  The people who turned his life into spiders.  The people who ended up killing him.  Because, get this, in a character driven story, the characters end up being a little bit important.  And when your lead character is largely a cypher, the supporting cast end up picking up all that personality weight.  So let’s take a look at these people, who they are, and what they’re doing in the story.  Now’s a good time to put your overthinking cap on, by the way.  I certainly am.

Rika and Satoko


Let’s get the easiest one out of the way first.  I do want to say, it is clear that Rika and Satoko are both very important to the overall plot.  There’s enough going on with them in this chapter alone that it’s obvious that we’re going to be seeing a lot, lot more of them in the arcs to come.

That said, although the both of them are around for a lot of Onikakushi, they’re not present for all the big moments, and they don’t really do a lot.  They’re not active characters, the plot does not turn on them.  At least, not yet.  Or maybe not in front of the curtains.  Yeah, it’s that kind of story.

Both Rika and Satoko are members of the big name families of the village.  Both of their families fell on the “wrong” side of the dam incident, Rika’s for not protesting it hard enough, Satoko’s for being in support of it.  Both have family members who were killed/onikakushi’d in the yearly incidents.  Multiple times, for Satoko.  And both of them live together, alone.  No parents, no caretakers, just the two of them.  Alone.  Rika gets some respect from the rest of the village, due to being their resident shrine maiden, and coming from a family strongly connected with their faith.  Satoko, we don’t really get an idea of what everyone thinks of her.  Well, except for Mion.  We’ll get into that in a bit.

In fact, let’s get into that right now!  Mion is competitive.  And you’ve got a club built around playing games against each other.  It stands to reason she’s going to be butting heads.  With everyone else, it seems just a good bit of friendly smacktalk.  It seems to cross the line a bit when she’s up against Satoko, though.  Could just be Satoko’s nature.  She’s definitely one to take the playfight a little too far.  But even so, Mion seems a little more ready to poke at Satoko’s vulnerabilities than she does to others.  And remember that her family was a supporter of the dam project while, according to Ooishi, Mion herself was on the other side of that fight.  Starts to make those barbs seem more a veiled blade.

It’s really, really strange nobody pays much attention to Satoko this story.  Her family gets called up all the time.  Her brother, Satoshi, in particular.  Keiichi even gets a bit obsessed with him.  Yet, even as Keiichi finds himself walking in her brother’s footsteps, he never bothers to talk to her about him.


And as for Rika… we know she’s a bit devious.  She’s good at knowing things, and not letting on that she knows these things.  She shows that in the games, where she plays up her childlike appearance to manipulate people and lull her opponents into an unfounded sense of security.  In truth, she’s very analytic, and good at sussing things out, but she keeps that hidden.


So where is she at with this story?  I’m going to do that thing where I read a lot into a single scene, but you recall when Keiichi took up Satoko’s brother’s bat, and started training with it as a weapon?  Rena freaked out.  Mion had a lot of trouble with that.  Rika noticed it, even as he was trying to hide it, and all she did was warn him not to lose the bat.  She wanted to make sure he kept it with him.  And earlier on, she was particularly concerned about Keiichi’s health.

Does that mean that she’s on his side, and wanted him to have it to defend himself?  Does it mean she knew what would happen to Rena and Mion in the end, and wanted to set him on that path?  Given that nature of this story, I think we can safely discard the idea that she knew nothing about the happenings and only wanted to Keiichi to be careful with the cherished bat.

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