Switchery

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Looks like Santa brought me a gift early. A peace offering, he called it. I see through his lies, though. I made my way out of his devil’s workshop with the loot in hand. Always careful, always wary, I checked it over for traps a hundred times. I’m still not sure there isn’t any sort of trick to it. But still, it’s hard to turn down a brand new Nintendo Switch.

It’s odd, but there’s a lot about the Switch that doesn’t translate over until you see it in person. I think part of that may be coming from Nintendo’s recent track record with consoles, where, while they didn’t quite overpromise and underdeliver and definitely have some quality experiences on there, still always felt like they should be something more than they were. The Wii didn’t have quite the detailed motion controls everyone hoped for, the Wii U didn’t have the games that took the hardware features to the limits, there was just a small amount of untapped potential with both of them.

It’s still new enough that I might yet be getting a touch of that new car smell off of it, so I may be changing this opinion in the future, but so far, it feels like the Switch is living up to every bit of what I expected of it.

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Let’s start with the base hardware. The thing is tiny. It’s a little bit thicker than your average tablet, but not by much. It doesn’t seem like there’s much room for the actual console in there, it’s all taken up by the screen. And yet it does. It packs quite the powerful machine within that small space. Graphics aren’t quite as good as the PSBone, but the few games I’ve played off it so far are able to to build things a definite step up over last generation, all within full and complex settings that, much like most of the rest of Nintendo’s offerings, are processed with very little stuttering and load times. Resolution on the Switch screen itself isn’t as high as on TV obviously, or even on many tablets, but it’s still high enough to make things look niiiiiice.

So if you know anything about me, you know that I’m a gorgeously huge sexy mangod. And that means I have gorgeously huge sexy mangod hands. A lot of Nintendo’s offerings don’t fit comfortably in my hands. The Wiimote’s sized pretty nicely for me, but I have difficulty positioning myself comfortably on the Wii U’s gamepad and the 3DS will actually cause me pain if I’m playing it for too long. When I first saw how tiny the Switch’s controllers were, I was worried I’d be running into the same thing here. Especially with the placement of the d-pad and buttons, I did not have much hope for good things there. Yet, I don’t know what it is about their design or ergonomics, but I’ve played for hours at a stretch and had absolutely no problems with it. Slotting the controllers into the… uh… controller attachment… the one that holds them like a traditional controller, that gets a little tighter than I’d like, but it’s still about as comfortable as the average Playstation gamepad. Playing with both of the joycons free has been my preference, and that’s about as liberating as it gets. The controllers are surprisingly small and light, but have a decent rumble to them, and they actually have better motion sensors than the Wiimote did. They’re lacking an IR pointer, which was the best part of the Wiimote, but I’ve still been able to finely aim things just using the motion controls.

One downside, the system has the weakest wireless receiver of any machine I’ve encountered lately. I keep my TV a couple of rooms away from my router, and although my laptop, consoles, and phone all have absolutely no problem connecting there, the Switch has a tenuous connection with the internet there at best. It’s a good thing the system’s mobile, because I had to take it all the way across my house just so it had enough reception to properly download anything. I thought it was broken at first. On top of that, I don’t know if this is a problem with the receiver or the controller, but the Switch does not always have the best connection with the right joycon. If I let my hands drop to my lap, or my aforementioned mangod hands cover up part of the bottom of the controller, my body will block the console from getting signal from that joycon. If that happens in the middle of a hot fight or tough platforming section, it pretty quickly spells doom.

Moving it from console to handheld mode is even easier than I dreamed. Thing doesn’t so much plug into the tv mount as it does rest comfortably on the connectors, so taking it out is a process that’s needlessly simple. It does take a bit of doing to mount and disengage the controllers, but nothing much really. And just like with the Wii U, I didn’t think that I’d enjoy having a mobile console, but surprisingly, I do. I never thought my lifestyle required it, but it is really handy being able to take my game into the other room when the orcs across the street get too whiny about how I spoiled their latest pillaging run or when my hordes of amorous suitors won’t stop calling me to the bedroom. Get to take care of those mild meatspace annoyances, while still bringing my all important virtual worlds with me.

Of course, no matter how good the console is, it’s all about the games on it. The console is a tool. It’s the artist’s palette, the playwright’s quill, the videographer’s camera. It’s necessary, yes, and determines a large amount of what the creators are capable of, but it’s really the creators themselves that determine what’s done with it. And there, I’m cautiously optimistic.

I’ve been a die-hard Nintendo fanboy for most of my life, up until Nintendo had that phase in the middle of the Wii generation where I wasn’t in the target market anymore. Then, Nintendo’s consoles just became one of the myriad array of gaming devices to me. My loyalty dropped, but in so doing, my world broadened. There were a lot of experiences out there, and once I started exploring them, my gaming habits became a lot more diverse. And I’m glad for that. Nintendo still makes some great games. They cultivate some fantastic experiences, and are truly one of the best developers in the industry. Their games are what’s kept them in the console race for so long. But, as the Wii U has shown, if you’re buying a Nintendo console, you have to be prepared to only get Nintendo games for it.

And that does take a lot of faith. And it’s one of the reasons why I was so cautious to pick it up until recently. I did get a Wii U at the very end of its production, but even now, after all the games have come out for it, the only creators that have put out a number of games I care about for it are Nintendo themselves and Platinum Games, who were contracted with Nintendo for those. I wasn’t willing to do so again, dropping a couple hundred on the Switch and only have Nintendo’s properties for it. But I did so, and so far, Nintendo’s the one that’s had any major releases for it.

Why did I do so? Well, for one, the Switch is showing more promise than the Wii U had. A lot of people claim that the Wii wasn’t a ‘real gamer’s’ machine, because they’re dumb. The Wii didn’t have the major releases the consoles of its generation had, but it had a lot more smaller, creative, experimental titles from a wide variety of developers, all of which brought some really nice quality to the console. The Wii U didn’t have that. Its sales numbers meant that niche titles being brought to the system had a long way to go to reach the levels where they could draw a decent profit, whereas PC, Xbox 360, and PS3 had a much more stable install base. I’m trusting in Switch’s surprisingly high sales thus far to take it closer to where the Wii was. It seems to have come out of nowhere for a lot of developers, much like the Wii did, but I’m hoping that once again, they’ll take notice of the Switch’s place in the market, and be bringing a lot more of the types of gaming experiences we saw a couple generations ago to us. It’s a gamble on my part, particularly as Nintendo has always struggled with relationships with other developers, but one that I’m hoping will pay off.

That gamble is somewhat mitigated by the fact that Nintendo seems to have more of a cohesive vision for this console. They’re still marching to the beat of their own drum, like they always do, but they seem to have much more of an idea which way they’re wanting to go. And they’ve been bringing the games to back it.

I’m imagining it’s going to take me a while to build my Switch library. I’m a notorious bargain hunter, and the Switch is still so new that game prices haven’t dropped yet. Moreover, with the biggest releases for the console coming from Nintendo, who are very aggressive in maintaining their games’ prices in a way few other publishers could manage and in the face of conventional economics, I might have to be on the prowl before finding deals I’m satisfied with. I’ve only picked up two games so far; Legend of Zelda: Breath of the Wild, and Super Mario Odyssey. But those games. Some of the best I’ve played recently.

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Nintendo gets a lot of flak for running wild with the franchising, which is ridiculous, because they mix their gameplay models up withing these franchises a lot more than nearly any other developer out there. Breath of the Wild is a great example of that. It is very, very different than most any other Zelda game you’ve played before. So much so, that it feels like it could be its very own game. It’s a 3D Zelda that largely eschews the gameplay model the series has been using since Ocarina of Time, building something completely new out of it. And although the mechanics, storytelling, styling, everything like that are all so new they’ve still got that new car smell, the game still feels a lot like playing the original Zelda 1 way back in the day did.

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And Super Mario Odyssey. I’m not going to go the full review here, you can probably catch what I would say any other place on the internet. But I will state that I get the same feeling playing this as I did from Ocarina of Time back in the day. You can tell this is something very, very special as you’re playing it, a rare piece of excellence that only comes around every so often. This is the best Mario has been since 64, and given how great some of the other games to come out have been, that’s really saying something. I would be surprised if this has as much impact on the medium as Ocarina of Time did, we’re just not in a place where that’s generally going to happen anymore, but I do get a similar feeling that this is a game people are going to be talking about and coming back to for a long, long time.

Beyond that, there’s some fun stuff to look forward to, even outside Nintendo’s standards. Xenoblade Chronicles 2, Shin Megami Tensei V, whatever Octopath Traveller ends up being, there’s some real promise with this console. I really, really hope it ends up seeing that through.

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Lagging Behind on the Leading Ladies, Part 3: The Creative Side

Introduction

Business Perspective

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It’s that time again! Time to talk about how I don’t get to play like a girl as much as I want to, and look into possible means as for why that is.

Today, we’re going to talk about the creative aspect of having women as leading characters in your video games. And it’s purely going to be about the art of making video game women, in a vacuum. We’re not going to discuss the impact audience reception has on creating just yet, that’s going to be a topic for our next post in this series, when we’re talking about the social factors. Most creators do create for their audience, but if we start working that in alongside everything else we’re talking about the lines between this post and the next post will blur and then I’d have to write the two of them together and I am too monumentally lazy right now to do that. So yeah, just focusing on the creative side of things today, looking at things from the perspective of the designer, not considering the marketing or receptive aspects of these.

This didn’t come up so much in the last post we did in this series, but at it’s core, the whole issue behind gender representation and everything else we’ll talk about here stems from the way we as a culture look at gender identity. So let’s talk a bit about that first.

I’m going to say I’m pretty experienced at being a man. I’ve got a lot of experience at that. Enough that I have pretty much mastered the art of physically being a man. On top of that, I’ve known plenty of women throughout the course of my life. Taken in their stories, their personalities, their… eh, let’s keep this G-rated. Never been a women, but I’ve observed them plenty. On top of that, as I continually demonstrate through this blog, I am a genius. My thinking is just of a top-tier quality.

What I’m saying is I have absolutely the highest credentials to talk about matters of gender. Accept no substitutes. My word on this is the best-informed you will ever see. And I’m telling you that men and women just aren’t all that different. Naturally, we barely have anything between us. Personality-wise, we in general have a few different drives, usually related to partnering or evolutionally instilled upon us from a period of life that we’ve outgrown faster than our biology has, but aside from that, we’re basically the same. Yes, we have some biological, hormonal, and brain developmental differences, but the differences account for so little proportion of who we are. Men and women have far more in common than we realize. Stripped of everything else, we all have basically the same capacity for caring, for aggression, for nurturing, and for enjoying video games.

But cultures in general do not recognize that. That’s one of the human absolutes, every single known human culture has developed a distinction between gender roles because people in general have a hard time not getting blinded by obvious distinctions. It’s human nature, in an attempt to understand people we attempt to see them as instant wholes based on the most obvious characteristics, rather than taking the time to figure out their individual features and building our concept of them around that. This creates expectations. Implicit, unstated expectations of how different genders are supposed to act, instilled in us since birth, and the mold by which we’re supposed to grow up into. Which is ridiculous. You cannot define a single personality trait or feature that reasonably applies to a full half of the human population. But cultures try. And in so doing, they create more differences between the genders than actually exists.

And that has negative impacts on both sides of the coin. Those impacts don’t always reach a one-to-one match, but the defined gender roles are hurting both men and women in different ways.

But still, it persists. That’s both the cause of what we’ll be talking about today, and the whole reason I’m writing this post series in general.

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The Witch’s House

It’s the season for it, right? Picking up some good, spookifying tales of your medium of choice. Seems to be one of the funnest things about fall for a lot of people.

This year around, even I, who am convinced that time is an illusion created by the greeting card industry, got into the horror season. Now, I’ve had an odd relationship with the horror genre. I really can’t put my finger on why, but I just stopped feeling it. Haven’t been getting the thrill, chills, and spills that people so much enjoy about it. Even so, I wanted to revisit those feelings this year. See if I could find a hint of that point of being deliciously disturbed.

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So I picked up the Witch’s House. Freeware puzzle horror game made in RPG Maker by Fummy, officially translated into English by vgperson. “Freeware RPG Maker horror game?” I hear you ask. “Those are all over the place. What makes this one so unique.” Just hold your horses. I’m getting to that. Patience is a virtue, you know.

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Now Playing

A while back, I mentioned my quest to beat all the games by console generation, and how close I was to filling out the PlayCubeBox 2 generation that I’ve been working on for so long I really don’t want to admit it. Just as a means of keeping myself honest, I thought I’d run an update on that, as well as what else I’ve been up to gaming-wise. This might end up being like a regular thing. I don’t know. We’ll find out how much it amuses me.

The Recently Conquered

Tales of the Abyss

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Tales of the Abyss is fantastic. I mentioned that last time, so no surprises there. I used a guide this time, and nearly 100%’ed the game. Beat the super tough bonus boss, got nearly all the extra costumes and what not, still fantastic.

Story-wise, it’ll be the subject of an upcoming post. Just need some time to sort through my thoughts on it. Tales games always have unique and interesting twists on typical storytelling tropes, and Tales of the Abyss did not disappoint. So yes. We will have words on this.

Summoner 2: A Goddess Reborn

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I mentioned that I was pretty surprised at actually having a good time with Summoner 2. That kept up most of the game. The beginning is a giant dreg. When you start building up in power, though, and start getting a lot more options in combat, it starts getting pretty fun, and it stays that way right up until the end game starts through a bunch of bullhonky at you. It actually gets more fun as you get more and more overpowered compared to your enemies, as you get to do more than what the horribly clumsy battle system is equipped to allow.

Of course, the final battle did lose a lot of impact by the fact that both the boss and your character were too big for the dumb camera to actually show what you or it was doing. Playtest your games, people.

The Bouncer

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This came out in an era in which Square just was no good at making games that weren’t turn-based. And it shows. The Bouncer is clumsy and feels slower than its game-type should be. But I still love it. I’m pretty sure that all just comes from good memories. I was introduced to this game over the course of a rather long night co-oping with a good friend of mine, and it’s always been very charming to me since.

I think it also helps that the game is really not long, unless you play it through three times in a row like they want you to. If you had to spend more than a couple hours on it, the games problems would get to be a lot more irritating, but as is, you’re in and out before it starts to wear on you. Kind of like my love life, in that.

Half-Life

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I really tried with this. I wanted to finally beat it. And I did everything I could. Took it as long as I could naturally, then worked in the invincibility cheat, and continued on from there. Finished up the dumb rotating teleporter mazes and all. Then, just as we were about to hit a climax, I started running into a persistent bug that continually reloaded a corrupted save. Impossible to continue, I had to end it. They did really try with the PS2 port of it, but the controls weren’t really working for me, and the glitches ended up killing it. A shame.
Although in good news, the internet says I was forced out before the worst part of the game. So it’s not all bad, right?

Now Playing

Star Ocean: Till the End of Time

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I’d played this before, but apparently I never gave it a real chance. Didn’t realize it, but I got farther in this game than I ever had before in only two playsessions.

It’s a decent setting. A really heavy mix of soft political sci-fi with pretty classic fantasy. I’m really digging it. It’s getting my imagination going in a way that only happens occasionally in these games, mentally exploring the world beyond just what I’m shown.

That said, I mentioned last time I wasn’t too enthused for this game, and that’s held up. It’s the battle system, mostly. Reminds me a lot of the Tales series, except it’s really not as good. A lot more 3D, but your moves are more limited, and that Fury system they have governing your combat is just a pain. In short, attacking costs you Fury, standing still builds it back up. If your Fury is full, you’re immune to light attacks, but you get a heavy Fury penalty if hit with a hard one. Thus far, it’s a system that seems to be entirely in the CPU’s favor, when it impacts the battle at all

I’m hoping that this is a game that’s going to be like Summoner 2 was, in that it gets demonstrably better as I get more powerful and more options open up. It’s showing the initial signs of that, at least. It better. I’ve got another 30-40 hours to go on it.

Simpsons: Hit and Run

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I don’t really have much to say here that I didn’t last time. It’s better than you’d expect, but I think I might have had the old whatever-colored glasses on when I implied it was a particularly good game. It’s sound, but has it’s problems. Particularly with adding an arbitrary timer on everything. I didn’t notice it at the time, but that was a really common feature of its era. All sorts of games this console generation drop a timer on something with absolutely no justification other than gameplay. Not everything needs a failure state, folks.

Bonus Round- Planescape: Torment

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Not one of the console generation, specifically, but I picked up a number of classic games since I started this quest. I’m not requiring that I beat them before moving onto my next set of consoles like I am with all the rest, but I can’t say I’ve beat all my games without finishing these up, too, right?

In any case, Planescape and I had a rough start together. It plays a lot like Fallout, which I love like I would my own child, so that surprises me, but yeah, not a fun beginning. The opening area got to be a bit confusing as I was giving conflicting instructions on how to exit, and my opening class was chosen for me, and was the exact opposite of the one I specced myself for. You don’t have to fight very often, but when you do, it’s quite tense. Especially because it runs off of the Baldur’s Gate engine, and I really hated the combat there.

Getting a party started to turn it around for me. I’m still handling most of the situations diplomatically, but now that I can hold my own in a fight and don’t have to worry about being reset with every bad speech check, even though I’m still not fighting all that often, I’m relaxing a bit more and just enjoying the world and its quests quite a bit. I appreciate that its a game that seems built around dialogue and plot and creatively approaching problems, rather than just smashing your way through them. I really enjoy the nuanced approach.

Adventures in Social Gaming

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The first time I ever got into online multiplayer gaming was when I was just a cub. Starcraft. Good old Battle.net. One of the first games to use online multiplayer, if I recall. I think I even linked in over a dial-up connection. You know, back when those were a thing.

In any case, it took me a long time to find a game. Kept joining rooms, then getting booted before the game actually started. Eventually I did find one that kept me around, a game that advertised itself as being just for new players. Sounded perfect to me.

I did get the inkling that the game organizers were a little more experienced than they let on, which was proven right once we started the game and they went with the whole ‘Haha, got you know suckers’ bit, but I didn’t care, I just wanted to play, it didn’t matter to me that it was up against people above my skill level.

It was all well and good until the end. I ended up being the second to last player surviving, not because of any measure of skill, more for just successfully staying unnoticed while everyone else got creamed. Eventually, I was found by one of the more experienced players, my defenses were circumvented, and I was routed. Would have been all well and good, except the whole while I was under attack, the other player wouldn’t stop talking about how bad I was at the game. In rather colorful terms. He organized a trap for new players those who were by nature bad at the game, and then when he had some, just harped on how poorly the new players were.

So yeah, online multiplayer did not make a good first impression on me. What I’ve experienced with it since has not shaken that perspective. Most of the time, I’m lucky enough not to deal with assholes like that, but even so, competing with people I don’t know just doesn’t carry any value for me. If we’re friends, I’ll play with you till the sun blows up and have a blast doing it. If I don’t have any connection, I don’t get anything out of it. It’s just as satisfying to be playing against the CPU, and more productive and less dramatic to boot.

So yeah, never really enjoyed playing competitively with strangers. I’ve been wondering if that extends to cooperative play, though.

There have been games built around online co-op for a while. I just never got into it. Even back when I was big into MUDs (if you don’t know what those are, think an MMORPG run through a text parser), I still largely played independently. And those will often tie you into to a large and active group as part of the character creation process. But I never really felt it. I’d use the social aspects of it all the time, but when it was time for some actual gameplay, I went out into that big, wide open, interactive world all by myself.

Even games balance for multiple players, I’d always play alone. Castle Crashers comes to mind, there. Often took a while, often led to some frustration, but well, almost none of my friends play games, and if I wouldn’t have a connection with the person on the other side of the monitor, I just don’t really enjoy that.

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That’s starting to change with me, though. Playing with strangers. Still have no interest in competitive multiplayer, but cooperative play has been growing on me, though. That started with Left 4 Dead. I began playing that a while after Left 4 Dead 2 came out, and took all the hyperaggressive jerks in the playerbase with it. The big point in that game’s favor is that it just made it easy to play co-op. Just put a game out there, players will come in. Matchmaking was easy. And you didn’t even have to wait for it. Start your game up already, it’ll be filled with CPUs at first, seamlessly replaced with actual players as they drop in. I had bought it intending it as a single-player experience, but having it so easy to play with others convinced me to give it a try. And the other players didn’t disappoint. Honestly helpful, cooperative, and when I was first starting out, instructive, they did make for a good time, and a much deeper one than I was expecting.

Portal 2 continued that trend. I had a bit of a rocky relationship with it’s coop, but the fact that it had a whole second half of its game beyond that social barrier meant that I was going to stick it out. It took me a while, but I did get randomly matched with another player that was at my puzzle-solving level, and that lead to what was honestly one of my favorite experiences in computer gaming.

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More recently, I’ve been noticing a bunch of games picking up on drop-in Co-op. You might remember from the Dark Souls LP that I experimented a bit with it there, although I didn’t get much into it outside of offering the odd bit of help to other players. The message system, though, did save my butt a few times, and I was an active enough participant in that I hope I gave other players the same thing. Dead Rising 3 works with something similar, except I’m not in control of when other players show up to help me out. So I’ll have players just randomly popping up to mow down a few zeds with me with no rhyme or reason, just helping me out as I make my way through a grim and gritty apocalypse dressed only in an afro and a schoolgirl outfit.

And you know, I’ve been finding an odd appreciation for that. They’re not getting anything out of it, that’s just other players, taking time out of their day to join forces with me. Somehow, having no connection there does make that experience more precious. I’d still take a friend like, say, you reading this right now, over an internet weirdo any day, but still, those weirdos aren’t all that bad. Especially you.

Fallout Chapter 10: The Wheels of Justice

So, last time on Balls Out Fallout, we let you folks make a few choices. We’re hear to see the results of them today.

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First up, comes good old Iguana Bob. Hub street food vendor.  Runs a ‘family’ eating place in the most literal sense. As you may recall, we ran into one of his suppliers in Doc Morbid’s morgue back in Junktown, and found that not all of his ingredients are entirely kosher, and you guys decided that we need to shut his operation down. But there’s a bit of a problem here. The city is very well patrolled, and we’re in a rather public area. If we were to start anything with him, the guards would be on us in a flash. It’s pretty simple to piss Bob off to the point where he starts the fight himself, so we can just proactively defend ourselves against him which wouldn’t draw any of the po-pos here, but I promised to show you guys a neat trick involving a sack today.

Before we get into that, though, I want to make sure that Bob knows why he has this coming. Athena walks over and starts chatting him up.

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We start on what would be a really cool Soylent Green bit, but Bob shuts us up. Then he tries to justify it. He’s not the one killing people! They’re already dead! It’s environmentally friendly! Doesn’t Athena like the environment?

Athena does not in fact like the environment. This environment never stops trying to kill her and has not had the good graces to invent Dragon Age yet to make up for it. She tells him so. He stoops to threats, but does not draw his weapon yet. Athena ends the conversation.

I told you before that the burlap sack is the ultimate assassination tool. I was a little hyperbolic in that. The sack is not the ultimate assassination tool. It is half of the ultimate assassination tool. When we get the other half assembled, we are going to kill Iguana Bob in broad daylight, right in front of the police, with nobody having any idea of what happened. Continue reading

The Best of Intentions

I’m putting this in writing because if other people know I’m thinking of it, I’m going to be more inclined to follow through with it.  It would be like shaming myself into doing something, except I don’t really feel shame because I’m convinced I’m the best in the world no matter what I do.  This phrase is really getting away from me.  Let’s move on.

I don’t like leaving things unfinished.  Not personally, not professionally, not even with my games.  Yet I’ve done an awful lot of that around this blog.  Series half started, petered out let’s plays, retrospectives that draw a lot of views but still don’t carry through the entire franchise they’re covering.

I would like to correct that.  My reading, writing, and thinking capacities aren’t the best right now, but given time, I would like to go back and cap off all those series I tried to start.  At my pace of writing, we’ll be seeing this interspersed over the next few years, and it’s going to be calling back a lot of old, old posts that most people who check in now had no clue had been going on because I have been blogging for a long, long time in internet terms.  Maybe people will like them.  Maybe they won’t.  But I’m mostly doing this for me.  At some point in my life, younger and slightly less sexy Aether thought it would be a good idea to be running through those series, and if I can’t trust him, who can I trust?

Anyways, to my recollection, the series I’ve got going now are our Fallout Let’s Play, our series on women as leading protagonists in games, and that Higurashi in-depth analysis I’ve been kind of lagging on.  We’ll be continuing with those.

Then, in the months or years to come, we’ll also see me re-picking up our Saint’s Row Retrospect and the Persona Retrospective, and both our Let’s Plays on Recettear and on Shin Megami Tensei.  The SMT one didn’t appear on this blog, but it’s out there on the internet and unfinished, and I don’t want to leave it like that.  I’d also like to be revisiting the whole Visual Novel Theatre deal a bit more, although that one was never a finite series and more just something I haven’t really touched on in a while.

So yeah.  That’s a goal.  A bit more of what we’ll be seeing in the future.  You can get back to your day now.