Once again, we should really take a look at the leading ladies of this work, what they’re up to when all this crap goes down. Because really, chances are, all the people you’re spending most of your time with in a good mystery. Probably going to end up at least slightly important.
Between her and Shion, the Sonozaki sister take the prime spots of this chapter. Whereas the previous chapter really delved into who and what Rena was, this one shines the spotlight on the two of them. Revolving focus. Start of a pattern. We covered Shion last entry, so let’s take a look deeper into what we’ve got going on with Mion.
Of course, this gets a little more complicated with what we talked about last time, how Shion and Mion have been switching places, but we’ll do our best. And our best is pretty great.
One thing we learn about Mion here is that she kind of has the hots for our Keiichi. Yes, just like Rena did last time. Yes, he’s a visual novel protagonist. Higurashi never shows you what your viewpoint character looks like, so I’ve been inserting my own appearance in there, so it makes perfect sense to me that all the ladies would be looking for a piece of his doomed self, but I understand if the rest of you find that unrealistic.
So anyways, yeah, Mion here’s way into that animu boy. This turns out to be very relevant. When Shion’s getting her claws into Mion, that’s the route she uses. You see her breaking out of her usual characterization in order to benefit Keiichi plenty of times. Maybe the reason everything goes to hell so hard is because of Keiichi.
Yeah, let’s explain that last one. Rena reveals that Keiichi inadvertently offended her without realizing it sometimes earlier in the story. Keiichi thinks it stems from an incident wherein he gave Mion scorn instead of a doll she may have wanted, which is as good a time as any although Mion never confirms what it was. Moreover, Keiichi’s involved in the incident that seems to have spurred the murders/disappearances this time around, in which he, Shion, Tomitake and Takano break into the village’s sacred torture-disembowelment storehouse. More blood is spelled than in any other year previous, yet Keiichi goes almost entirely untouched in the killing spree that follows, until he goes out and finds trouble himself.
Mion seems to be struggling with her identity a bit this chapter, especially as her twin gets added to the mix. She seems to react a bit hesitantly every time Keiichi insists that she can’t be feminine. She also struggles a bit with the duality of her role as just your average Japanese high school girl and her role as the heir to the Sonozaki family. This chapter goes a lot deeper into the history of the village and the interplay between all the families, as well as Mion’s particular upbringing and background. It’s clear that there’s a lot of expectations on her, a lot of responsibility that she never really asked for. Beyond that, there’s her relationship with her sister, which, at the very least, seems quite colored by the family structure set in place before she was even born. So much of her life was already decided for her by virtue of being the firstborn in her family, and although she fulfills all those expectations, I get the feeling that sometimes they’re at odds with what she’s really feeling.
Then again, I could just be assuming things. It’s really hard to tell when you’re not sure when Mion is really Mion.
One piece of that dichotomy that I am sure of, because the game won’t stay quiet about it, is that Mion is struggling with her femininity. She’s always referred to herself as “this old man”, but Watanagashi tops that by having Keiichi, Shion, and Mion herself suggest she should have been born a boy at several occasions, and Keiichi running through the thoughts of ‘if she were a boy I’d do [etc.]’ and the like at several junctures. Even before Keiichi realizes that Shion and Mion are separate people, he assumes that Mion is pretending to be her own twin sister because she couldn’t bear to add the feminine things she’s doing into her own identity. There may be some truth to that though. If you read between the lines, the most likely times Mion is masquerading as Shion are when she wants to be kind and tender to the boy she crushes on who just can’t seem to see her as a woman in the first place.
And yeah, if you take this story at face value, Mion’s behind the murders. It’s clear, particularly in the character discussion following the end of it, that this is at most only part of the truth, but still, she is wrapped up in some pretty nasty business. In her position as the head of the village, she’d likely know what’s going on, and may be actively involved. She could be leading the murderers, particularly if you take her confession this chapter as truth. How much might actually be her and how much might be Mion, it’s hard to say, but given how clear this chapter is on Mion’s position of power in the village, it’s hard to believe she’s entirely uninvolved.
Then again, maybe she’s a victim of it all too. Rika figures out what’s all going on, and talks to Keiichi about it at one point, referring to the different parties as the dogs, the villagers pissed off at the intrusion into their taboo storehouse, and the cats, those being hunted by the dogs. She refers to Mion as a cat.
There’s a lot of times that Mion acts inconsistently with what we know of her. Sometimes, she doesn’t pursue the games to their conclusion. Sometimes, she sets up games that don’t follow the rules. Sometimes, she just straight up sucks at the games. Keiichi even mentions in the end that she’s being to cruel to really be Mion. Which, yeah, Shion and Mion are switching places, that explains a lot of it, but the inconsistencies are so widespread and blatant it makes me wonder if that’s all there are to it.
And it is really, really hard to track Mion’s character when you’re not always sure she’s really her. The game is clear they’re switching places, but not clear on who is who when. That’s a big source of the puzzle I’ve been trying to unravel this time around, at least. Rena mentioned in the last chapter that Mion used to be really bad at the club games. Mayhaps they’ve been switching places much longer than we realize. Continue reading