The Higurashi Notes, Chapter 1: Onikakushi-Wild Mass Theorizing

So after all that, we come around to the big question.  What exactly is going on in Higurashi?  The first chapter, Onikakushi, has no answers.  But it does have some fuel for speculation.  And you know what?  In the latest chapter released, the developers straight up ask you to spend some time on the speculation.  So let’s do that.


Now, there’s two main questions the game leaves hanging.  Why, and HowWhy does the town hate Keiichi?  Why do his friends keep turning evil and trying to kill him?  Why do people get murdered there?  And How all of that?

Let’s explore this.  I do want to say, I’m going to do my best to avoid spoilers here, and limit things to content as presented in this chapter.  But, honestly, some of these conclusions are informed by what’s been presented in the other question arcs, and really, I’m not going to be able to get around that.

Anyways, let’s go into some random guesses as to what all makes things work in this story.  I’m not entirely convinced in all of these, in fact, some of them I’m pretty sure the story will never even consider.  But they’re all taking up some mental real estate.  And you know what, before we get into the meat of it, let’s get one thing out of the way.

Natural vs. Supernatural


Right, so I said earlier we could just brush this question off.  And really, we can.  But I figure, this chapter makes something of a deal of it, so we may as well address it.  In brief.  Because that’s all this question deserves.

Are the weird happenings in this game the acts of men?  Are the consistent murders a series of copycat killers?  Are the villagers getting organized to expulse any outsider they consider a threat to their operations?  Is there some sort of conspiracy going on among the major families to maintain the village in just the way they want by force if necessary?  Or is it the act of otherworldly beings?  Is Oyashiro-sama real and working to purge the village?  Are there truly demons among the villagers?

Again, this is a question this chapter tries to raise, and definitely the one it wants you speculating on, but I don’t think it’s very material to the story.  Some being is making murder, whether it’s a human or a spirit doesn’t make much difference in the end.  And really, this chapter doesn’t give you anything to base it off of.  The idea of the supernatural is raised, but if you take Keiichi’s fractured sanity into account, you don’t see anything concrete as to how it’s acting.  Unless that fractured sanity is how it’s acting.  But even that could be the drug they allude to.  They don’t give you enough either way to foster good speculation on that. 20160709181328_1.jpg

For what it’s worth, given the direction the story’s been going, even in this chapter, I’m of the opinion that there’s at least some supernatural element there.  The people are definitely involved in it, at least as far as covering it up goes, but there is some magic involved either in the actual execution of the murder/disappearances, or in the organizing people to do such.  I just don’t think the lead they’ve given and the way the following chapters progress will make much sense if there’s something beyond human running behind it.  But it’s not completely supernatural, because this is a character-driven story, and all that actual characters are human.  If you take the humans out of it, then you’ve wasted at least the early chapters.  So some mix of human and supernatural is where it’s at.  If it’s not, I will refund you the price of reading this blog post.  What do you have to lose?

The Theorizing

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The Higurashi Notes, Chapter 1: Onikakushi – The Club

The Club


So let’s go ahead and start getting in on the people our poor, tragic Keiichi has been hanging out with.  The people he loves.  The people who turned his life into spiders.  The people who ended up killing him.  Because, get this, in a character driven story, the characters end up being a little bit important.  And when your lead character is largely a cypher, the supporting cast end up picking up all that personality weight.  So let’s take a look at these people, who they are, and what they’re doing in the story.  Now’s a good time to put your overthinking cap on, by the way.  I certainly am.

Rika and Satoko


Let’s get the easiest one out of the way first.  I do want to say, it is clear that Rika and Satoko are both very important to the overall plot.  There’s enough going on with them in this chapter alone that it’s obvious that we’re going to be seeing a lot, lot more of them in the arcs to come.

That said, although the both of them are around for a lot of Onikakushi, they’re not present for all the big moments, and they don’t really do a lot.  They’re not active characters, the plot does not turn on them.  At least, not yet.  Or maybe not in front of the curtains.  Yeah, it’s that kind of story.

Both Rika and Satoko are members of the big name families of the village.  Both of their families fell on the “wrong” side of the dam incident, Rika’s for not protesting it hard enough, Satoko’s for being in support of it.  Both have family members who were killed/onikakushi’d in the yearly incidents.  Multiple times, for Satoko.  And both of them live together, alone.  No parents, no caretakers, just the two of them.  Alone.  Rika gets some respect from the rest of the village, due to being their resident shrine maiden, and coming from a family strongly connected with their faith.  Satoko, we don’t really get an idea of what everyone thinks of her.  Well, except for Mion.  We’ll get into that in a bit.

In fact, let’s get into that right now!  Mion is competitive.  And you’ve got a club built around playing games against each other.  It stands to reason she’s going to be butting heads.  With everyone else, it seems just a good bit of friendly smacktalk.  It seems to cross the line a bit when she’s up against Satoko, though.  Could just be Satoko’s nature.  She’s definitely one to take the playfight a little too far.  But even so, Mion seems a little more ready to poke at Satoko’s vulnerabilities than she does to others.  And remember that her family was a supporter of the dam project while, according to Ooishi, Mion herself was on the other side of that fight.  Starts to make those barbs seem more a veiled blade.

It’s really, really strange nobody pays much attention to Satoko this story.  Her family gets called up all the time.  Her brother, Satoshi, in particular.  Keiichi even gets a bit obsessed with him.  Yet, even as Keiichi finds himself walking in her brother’s footsteps, he never bothers to talk to her about him.


And as for Rika… we know she’s a bit devious.  She’s good at knowing things, and not letting on that she knows these things.  She shows that in the games, where she plays up her childlike appearance to manipulate people and lull her opponents into an unfounded sense of security.  In truth, she’s very analytic, and good at sussing things out, but she keeps that hidden.


So where is she at with this story?  I’m going to do that thing where I read a lot into a single scene, but you recall when Keiichi took up Satoko’s brother’s bat, and started training with it as a weapon?  Rena freaked out.  Mion had a lot of trouble with that.  Rika noticed it, even as he was trying to hide it, and all she did was warn him not to lose the bat.  She wanted to make sure he kept it with him.  And earlier on, she was particularly concerned about Keiichi’s health.

Does that mean that she’s on his side, and wanted him to have it to defend himself?  Does it mean she knew what would happen to Rena and Mion in the end, and wanted to set him on that path?  Given that nature of this story, I think we can safely discard the idea that she knew nothing about the happenings and only wanted to Keiichi to be careful with the cherished bat.

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The Higurashi Notes: Onikakushi-Keiichi’s Sanity and Ooishi’s Behaviour

All right, so now that we’ve taken a look at the happenings in our last post, let’s go back and try to work out… you know, what actually happened.  Onikakushi drops a whole lot of questions.   No answers.  But if you know where to look, there might be a few hints.  So, what do you say we start with the biggest question?

How much is actually real?

Yeah, yeah, Onikakushi runs really heavily on the “Is it magic? Is it mundane?” question, to the point it has the characters arguing about it OOC at the end.  But you know, that question is nowhere near as interesting to me as this one.  Stuff happened in this plot.  A lot of stuff happened in this plot.  But, did all the stuff that happened actually happen?


At its core, Onikakushi is a story about Keiichi’s descent into paranoia.  You see him going from being a normal kid, run into a conspiracy so far beyond him that starts targeting him for even knowing about it, and in defense, Keiichi starts backing into the corner and pulling out the claws.  Starts smashing up nothing, thinking enemies are all around him.  But, maybe it goes beyond justifiable paranoia.  Maybe Keiichi starts experiencing things that are not actually there.


It’s interesting to me how much Keiichi does that seems to serve no other purpose than to make his house a portrait of madness at the end.  The entry way of his home is all smashed up.  Mashed garbage strewn all over the room.  A hastily scrawled note asking “Was there a needle?” on the fridge.  The brief, hand-written memoirs of a crazed child stuck with tape behind his clock.  The kind of home that would make you think its owner escaped from the asylum if you came across it in any crime drama.  Of course, all of these were in response to something Keiichi was reacting to, and you see all the context for that, but take a look at that from outside Keiichi’s head for a bit.  He smashes up his house by swinging at something invisible and intangible.  He has a relatively calm phone conversation with Ooishi, then mention of the needle causes him to take a break and throw garbage all over his house, before he returns to the calm-ish conversation.  Keiichi knows what it all looks like.  That’s why he’s so very careful about what he puts in his dead drop note, and why it ends up being way too vague to be useful, outside of the bits that get torn out before the police find it.

But how far back does Keiichi’s altered perception go?  Let’s start from the end, and take a look at some contradictions between what we’re shown and what we know.

So first, the police report at the end.  Right off the bat, it states, and states conclusively, that Keiichi had called Rena and Mion over to his house before he beat them to death.  Now, it doesn’t list any of the evidence for that claim, but logically, the police would be able to look into phone records in regards to what calls were made.  At least, I’m going to assume they could.  I don’t know ‘bout that 1983.  So we can figure that it’s more than just an assumption that Keiichi called them out.  Thing is, if you recall from the events we saw, when Keiichi woke up in his house before he killed his friends, Rena was already there.  Sure, she called Mion from Keiichi’s house, but there’d be no reason for Rena to be called over.  Unless, either the ‘Director’ she called share’s Rena’s number, or Keiichi had in fact called her over, and just wasn’t cognizant of it.


Keiichi died in exactly the same way as Tomitake did earlier.  That’s exactly what Mion was threatening, saying he’d be injected with the same drug.  But there’s two problems with this.  The first, going by what we saw, Keiichi was never injected with the drug.  He blacked out just before he did, came to with his friends dead, then recalled that he had knocked them away before he was injected.  Possibly, this is recreating memories after the fact, but otherwise, he should never have been impacted by the drug at all.  The second notable thing is that Keiichi started following in Tomitake’s footsteps long before the drug ever came up.  The big moment is when he smashed up his front entryway, striking at the presence he detected but couldn’t see.  Ooishi had notice that Tomitake had been found with a two-by-four that had impacted several things, but had no blood, skin, or biologic materials found on it.  He smashed up a guardrail, but had no sign of actually hitting anyone else with it.  Mayhaps he had been finding a presence that couldn’t be seen or touched, himself. Continue reading

The Higurashi Notes, Chapter 1: Onikakushi – Plot Rundown


Look at this!  Isn’t this amazing!  I said I was going to do a thing.  Which, ok sure, that happens.  But then!  But then I actually did it!  How often does that happen in your life?!

In any case, here’s the first part of typing waaaaaaaaaaaay too many words talking about Higurashi.  If you missed our intro post, here’s the deal.  I’ve been playing these visual novels.  I’ve been wanting to talk about them.  To analyze them.  To dissect them.  So that’s what we’ll be doing today, over the first chapter of the series, Onikakushi.  We’re going full on for spoilers for that chapter, but we’ll be keeping things safe for all the other chapters.  We’re free on discussing chapter one, whatever we need to there, but we won’t be brushing on anything else.  Might be literally the only place on the internet to do that.

Do I need any further ado?  I think that’s enough ado.  Let’s get into the do.

So, today, we’re mostly going to be following along with the plot.  Summarizing things for those who are just joining us or could use a bit of a refresher before we jump right into the deep end.  We’ll be dropping some bits of analysis on the way, but it’ll be the next post where we really get into things.  So hey, if you’re interested in this stuff, why don’t you follow along?  If not, go ahead and wait for next time.  Do whatever works for you.  Ain’t required reading here.  But, chances are, it will make your life better.  So much better.  In fact, I’m pretty confident about that.

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