Stupid All Around: A Businessman’s take on the GaymerX vs. NIS America deal

I don’t usually post about current events on here, mostly because I don’t like writing things that so quickly become obsolete, but this one event particularly grabbed me.  So, over the past day or so, there’s been a conflict brewing over the internet between the organizers of the GaymerX convention and video game localizers NIS America regarding an unpaid sponsorship agreement.  I’ve handled both events management and PR/marketing in the past, so a lot of what’s been going on seemed pretty familiar to me.  Unexpected things happen.  Especially when money’s involved.  And especially between two small organizations like this.  That’s nothing unusual.  What is unusual, though, is the rampant incompetence on display.  Seriously, neither side comes out of this looking good.  This problem never had to happen, and it never had to progress the way it did, but for idiocy in place on both sides of the issue.

So, to bring the uninitiated up to speed, here’s the ground level info.  GaymerX is a convention produced by MidBoss, a gaming company under CEO and America’s Worst Driver Matt Conn, aimed at providing an LGBTQ perspective on the video games industry that you’ve probably heard about but never given much thought to because, well, it’s still a really small con.  They were having their second convention just a few weeks ago.  Conn had been speaking with David Alonzo, Marketing/PR dude at NIS America, localizer of unusual, niche, and sometimes just plain creepy Japanese video games, about sponsoring the VIP Party at the convention.  Alonzo, representing NIS, agreed to provide $3000 to become a Gold Sponsor for the event, getting a bunch of promotional material and a special ‘Prinny Cocktail’ in honor of one of their more prominent characters at the party.  All well and good, right?

Just one thing.  Alonzo didn’t have the authority to unilaterally commit to that expense, apparently never ran it past those who need to sign off on those things, and found out just a few days ago that NIS America didn’t have the budget for it.

Alonzo, perhaps thinking himself good and just by doing so, immediately e-mailed Mr. Conn about it.

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That’s a pretty bad situation for GaymerX, right?  They had made an agreement, provided a service, and now find out they are not going to be paid for what they had done.  There are a variety of actions they could take.  They could maintain communications, either with Alonzo himself or with someone higher up the echelon.  After all, the case seems very, incredibly clear.  By every legal and moral standard, NIS America had agreed to provide payment for a service, received the service, and now are withholding payment for that service.  Similarly, they could begin exploring the possibility of legal action.  For a small sum as this, it’d likely fall under small claims court, so they wouldn’t need any lawyers involved, and it’d be a cinch to both prove their case and receive court expenses for doing so.  The facts, at least as they are publicly presented, are quite clear on this front.

Instead, Conn immediately lashed out publicly, tweeting the above e-mail and tagging several video games journalists, then claimed through at least one interview and through his own twitter account that NIS America was “bullying” the “queer geeks”, implying very directly that they were discriminating against GaymerX for the organizers’ and the attendees’ sexualities.  I have no idea how long he kept this up, as the offending tweets have since been deleted, but judging by the discussions of the topic they were going on for a significant amount of time.

Of course, this morning, it seems everything’s been settled, NIS’s paid up, and people are making self-serving apologies all around.  The internet loves some good gossip, though, and I feel this is a matter that’s worth exploring, given the severity of things involved.  So, what do you say we go spelunking into the matter?

Let’s take things on chronologically.  Which means we’re starting with David Alonzo.  Now, Alonzo’s not nearly as much of a public figure as Conn is, but we do have a bit of information about him.  As the above e-mail suggests, he seems to be pretty new at the company.  By all indications, he’s only been NIS America’s Marketing Coordinator for a couple of months.  Moreover, his LinkedIn profile has him tagged quite a bit for things like web and graphic design, but he’s got nothing for any general sort of marketing experience, nor any management experience, both of which would come from positions with a higher level of authority and responsibility than a graphic/web designer.  So the job he’s in now is likely of a type completely different than any he’s had before, and he’s really fresh to it, too.  Just a bit of background information here.  Might make his incompetence in moving forward through this a bit easier to understand.

So, a lot, a lot, of people have been accusing NIS America of simply trying to renege out of the deal to save the $3000.  That seems possible, but very unlikely, to me.  Any company that gets in the habit of not paying what they owe aren’t a company for long, and the $3000 would not be worth the poor publicity that would, and did, inevitably result from withholding it.  Rather, I think the actual cause involves a lot less greed and malice, and a lot more straight foolishness.  Rather than assigning evil to NIS America, I’m inclined to believe Alonzo’s claim that he’s 100% responsible for the potential screwing over of GaymerX.  Remember that, in spite of what American law says, companies aren’t people.  They’re not a singular entity, rather they’re a vehicle for groups of people to organize their contributions towards a common goal.  Nothing happens to a company without a person involved making it happen.  And that person, in this case, is David Alonzo.

I think I’m currently in the same position as Alonzo is, in relation to control over the budget.  Namely, I can and do make purchasing decisions on behalf of my organization, but I need to have my supervisor sign off it before any final commitments can be made.  I get requests for sponsorships and donations all the time.  Sometimes, I’m able to fill them.  Every time someone asks me for money, and I think the cause is valid, though, the correct response is always something along the lines of “tentatively yes, but let me check up to make sure”.  Every single time.  As I need someone else to approve these expenditures, I can never make these commitments unilaterally.  For David Alonzo, though, the answer was “Yes, we’ll totally commit to sponsoring this!”, even though he had no authority to do so.  That was mistake number 1.

Mistake number 2 was apparently never taking it to those who actually could make those decisions.  Now, I’m making an assumption here, but since he apparently didn’t realize that he couldn’t spend the money until the day he sent that e-mail, I’m willing to bet that most of the rest of the company was mostly unaware of what he was doing.  Especially those who were overseeing that budget.  And I can absolutely guarantee that there’s more than one person who knows whats going on with the budget in the company.  Yes, NIS America is tiny, but if only one person was tracking the budget, the organization would have fallen apart ages ago.  I find Alonzo’s claim that he had to wait for the games producer to return to find out if he could spend the money or not to be really suspicious.

And mistake number 3?  That’d be sending the e-mail as soon as he found out about the problem.  I mean seriously, this is a major issue, especially for someone who’s supposed to be handling PR.  Now, most businesses and organizations don’t want you to know this, but entities have delays and problems with filling fiscal responsibilities all the time.  Any organization larger than a sole proprietorship absolutely need to have checks and balances in place, and almost all of them will have financial and accounting departments well established.  All this adds several steps to the process of cutting checks, and every step adds delays and the potential for error.  You absolutely, absolutely never tell someone you owe money to that something’s going wrong until the matter has fully resolved its course internally.  If you do, you end up with problems like, well, this.  And there’s no way that anything but the worst-run organizations will be able to finalize the decision to not pay for received services or products within a single day.  This e-mail should never have gone out, at least, not until things were settled.

Now, it seems a little shady to me that a marketer would be trying to take funds out of a ‘games’ budget, but knowing next to nothing about NIS’s internal structure, I’ll leave that matter up to Alonzo’s supervisor.

So… yeah, Alonzo screwed up at every step of the way.  However, the liability for the payment to GaymerX is still valid.  There are certain positions you can’t take confirmation of contributions from.  For example, if our intern or one of our custodians tells you that my office is going to buy a billion dollars worth of your product, you can be reasonably certain that they don’t have the authority to do so.  However, Alonzo is the Marketing Coordinator, and Conn had the ability to take it in good faith that he had the authority he projected to make such payments.  Moreover, GaymerX did apparently provide NIS America with an invoice three days before the event, which is really cutting it close, but does give them enough time to call it off if they needed to.  NIS America did owe GaymerX $3,000, but as Alonzo really should have known better, NIS would have been able to take it out of Alonzo’s pocket in most jurisdictions.

The main point is that unless they chose to just give up on it, the money was going to be coming to GaymerX, one way or another.  Now, when someone has wronged you, the first step to take by almost every social or professional standard is to notify them about it and give them the chance to make it right.  That’s both a practical matter, as it removes a barrier to moving through the litigation process in the future, and an ethical one, because that’s really just how you treat people.  So in this case, it’d be following up with Alonzo, Alonzo’s supervisor, NIS’s accounts payable department, or anything like that.  Going public with your dirty laundry, on the other hand, is usually a measure of last resort.  It’s the equivalent of putting up a fist and starting a fight; sometimes it’s necessary, sometimes it’s the only way to get results, but it’s damaging and only assholes and manchildren use that as a first resort.  I’ll let you make your own judgement as to which one Conn is.

So upon getting notification, Conn didn’t take any steps to rectify the situation.  Rather, he just tried to hurt NIS.  Conn responded like a jilted teenager with a Tumblr account, just trying to draw as much attention as he could without even trying to make things right.  Conn immediately tried to spread the e-mail among some journalists, who I believe were personal friends of his, trying to use his network to do what damage he could.  This wasn’t about putting pressure on the company, nor was it about seeking justice.  The way he went about this, immediately jumping to airing dirty laundry without making an attempt to resolve anything, was pure malice.  Like that mean kid back in class who started a fight whenever someone spilled his milk, Conn had been infringed upon, and immediately lashed out to inflict as much pain as possible before cooler heads caught him.

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This is wildly unprofessional, but still a bit understandable given the situation.  But then Conn just kept digging the hole.  He followed that up with interviews and tweets such as the type above.  Again, this is just him lashing out trying to damage NIS, but making the homophobia implication where there are no indications sexuality is a factor?  That’s really low.  Now, there are times when people and organizations truly are discriminated against for their sexuality, and those definitely need to be called out.  But homophobia is an absolutely despicable declaration and using it when it’s unwarranted reduces the voice of the whole community to do so when it is.  Moreover, it’s very hurtful and damaging, especially for a company that’s been pursuing sponsoring an LGBTQ event.  Conn is much more a bully here than those he’s claiming to fight.  These tweets demonstrate a bit of true character, that of a hateful, self-centered child.

Obviously, the above is incredibly unprofessional, and probably harmful to GaymerX as a whole.  I know that if I had been in an organization considering sponsoring his event, this would definitely ward me away.  If this is how they react to a single, if ill-advised, e-mail, there’s a huge risk in just getting involved in the first place.  What would happen if you sponsored them one year, but chose not to do so again when they may be counting on your donation?  What if corporate processes lead to a delay in payment?  What if there’s a miscommunication, and they’re expecting something different than was promised?  It’s way too risky a situation.

So yeah, there were idiots at fault on both sides.  NIS started the issue with stupidity through incompetence, Conn continued it with stupidity through wrath and immaturity.  Neither came out looking good on the issue.  Things seem settled now, NIS paying what they owe, everyone making public apologies.  I’d bet nobody’s happy, but at least I’m not going to have to hear about it anymore after I publish this post.

One last thing I just can’t let go, though.  Conn claimed in his apology that his statements were taken out of context, and that he never intended the dialog to be that NIS was discriminating against an LGBTQ organization.  Please see his tweets above for the statements in context, implying that NIS is discriminating against ‘queer geeks’, and Conn being a rat liar.

New Eden Page 3: Return of the Page

I used to fantasize about one day getting good at art.  When that happened, if I felt like showing my little story to the world, I’d go back and redraw the old pages so they’re actually presentable.  Well, that never happened, so we still end up with pages like this.  I sketched it out, then got bored and never really did anything more, for a good long while.  I had actually dropped the project for a couple of months, but the story idea I had intrigued me, so I came back and added text to this.  All in the same sketching pencil I had originally done this in.  As a result, the whole page is pretty illegible when you don’t have it right in front of you.  Transcript below the image.

 

New Eden Page 3

Panel 1: It’s late… very late.  I have to work tomorrow.
Panel 2:  I really should get to bed.  It’ll be a long day tomorrow.  I’ve got a gig in the afternoon, so I’ll have to be up early for makeup, prep, all the rest of that stuff.  Still…
Panel 3:  Hattie said Exodus was in that game, New Life.  I wonder if it’s really him.  Seems unlikely.  But I think I’d have heard if he’d licensed his image.
Panel 4: Luckily…
Panel 5: Agla hooked me up.

 

Keep Circulating the Tapes

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Let the record show that I am far from a fan of content piracy. Not for any legal compunction, but more out of respect for the rights of creators to hold value to their creation if they so choose. I can’t claim that I’ve always refrained from pirating works, but I hold myself to a simple rule: if something was ever commercially available within my country, it’s off-limits for me to pick up illegally.

At least, I used to hold myself to that rule. I recently had an experience that’s convinced me to get a slight bit more lenient. Piracy is a foul thing, and in the past I’ve limited myself to utilizing it only to get works I’d never have a chance of purchasing legitimately in the first place. I have, however, recently found another utility to it. Simple archival.

Human societies have a vested interest in making sure art stays around, and stays accessible. We see value in it, to the point that hundreds of governments, museums, and other nonprofit institutions dedicate themselves to archiving, maintaining, and making available thousands of the most prominent artistic pieces. Individuals maintain their own archives, with shelves and shelves full of books, movies, music, games, etc, that they may not consume all too often, but they want to ensure are always available to them. We, as humans, see value in artistic creations. All artistic creations. No matter the quality, everything speaks to us. Some make us laugh, some break our hearts, and some we just can’t help but groan at. But our art makes up a very, very important part of human culture, and we, as a society, treat it in kind.

There’s just one problem. Art ages. And no, I’m not talking about the traditional ‘showing its age’ where the technology used to create it has marched on, making it a work that has noticeably been created in an earlier time. Nearly all forms of art will physically deteriorate. Paintings fade. Physical books yellow and crumble. VHS and cassette tape decays, and gets eaten by hungry machines. As technology gets more modern, the lifespan of various mediums increase, yet even still, they will be unusable eventually. But, in my view, time hits no medium quite so fast and quite so hard as video games.

Not all of them will be impacted by this, of course, but a massive number of games from a specific era are. The Legend of Zelda for the NES revolutionized a lot of things in gaming, but one of the most important things it contributed to the medium was the ability to save your game. This opened up the art form massively. For the first time, developers could craft experiences intended to last more than a single sitting. Players gained more encompassing games, the storytelling potential of the medium took a huge jump, and creators no longer had to fit everything into a very limited window. The ability to save, however, also gave games a quite limited lifespan.

Saving technology wasn’t so great, back in the day. In the modern era, we have memory cards, EEPROM saves, hard drives, and other ways of ensuring that save data can last for a long, long time. Back then, from when saving was innovated in the NES era until partway through the Nintendo 64’s life, games relegated save data to the cartridge’s RAM. Flash memory. Which can only hold data as long as it’s receiving power. Obviously, it’d be a bit of a pain to lose all your save data as soon as you turned off your console, so Nintendo got a bit creative with their cartridges. They fastened a battery on there, to keep the saves powered whenever the cartridges were removed. It was a good solution given the technology available to them; simple, direct, and cheap. The energy requirements of these RAM saves were minimal, so the batteries could last a long, long while. Decades, even. At the time, this solution worked great. But now, it’s been decades, and it’s hitting the point where a lot of these games, games that last for days or weeks normally, absolutely cannot be played past the introduction, because their batteries are dead. So much content, so much of these works of art, are becoming inaccessible simply due to time.

Now, there are ways to remedy this. If there’s a battery, you can just change it, right? Well, normally that’d be a pretty reasonable assumption. There are… complications to that, though. I don’t know about Sega’s cartridges, but Nintendo used a very unusual screw to keep things closed. I thought my screwdriver set was pretty all-encompassing, but I’ve got nothing I can use to pop it open. Even getting beyond that, the components inside are fragile, yet you’ll still have to physically cut the battery out. I’d wager more than a few cartridges have been ruined by those simply trying to restore them. Securing the new battery properly would require you to solder the connections to the battery, a dangerous procedure that those who aren’t innately experienced with soldering shouldn’t attempt, for fear of having a battery explode in their faces. Alternatively, you could tape the battery in, a much safer method that I’d imagine isn’t exactly good for the components either. Getting new batteries are relatively cheap, it’d cost about $3-$4 to restore one game. However, with the number of games I own that use battery-backed saves, the cost of restoring them would put me most of the way towards a whole new modern console. You could also just rebuy the game digitally. Lots of companies are putting their back catalog up for sale. The games available aren’t all-encompassing, however, and the idea of rebuying something I already own just because the manufacturer installed a timer on it leaves a bad taste in my mouth.

And so, as of late, I’ve been replacing the old, unsaveable copies of games I own with digitally downloaded ones. And my conscience is clear; I’ve already bought and paid for these games, I just need a working copy of the content I already own. I don’t download any game I don’t already possess, and I only download the versions I truly own. There’s a large number of sites and organizations, such as Project Guttenberg, working to archive as much of other mediums as they can. There’s places you can go to find archived books, music, visual arts, and most anything else. There’s no organization officially archiving video games, however. But that’s because the individuals are already handling it. Now, I’m under no illusions here. Most file-sharing conducted isn’t exactly done according to reasonable ethics, and I very strongly disagree with almost all of what these software pirates are doing. But they do still provide an important service, allowing those like me whose collections are wearing down to still enjoy the works we legitimately own.

Keep circulating the tapes.

Bringing it Back to Dark Souls

Last time, on Aether’s Adventures in Barely Hanging On, we got sucked into a painting with no way out and very limited supplies, and had a hard time. Seriously, we’re starting this episode at the same bonfire we started the last one at. We’ve made no real progress. However! We’ve gained some knowledge, about our enemies, the area, and our tactics! And as G.I. Joe taught me, knowledge is power. So this time, now that our muscles are all full of knowledge, we’re going to put it to good use!  We’re going to steamroll our enemies with knowledge!  We shall make sure that every single strike has all the knowledge we’re able to muster behind it!  We’re ready to give all our enemies a nice blast of knowledge! Right to the face!

Basically, what was really holding us back last time were the engorged zombies and the toxic explosion they go through when you kill them. After playing with my equipment for a while, I found myself a good way around that status effect: using a lightning spear, which allows me to attack while keeping my guard up, and a spider shield, which can block poison entirely. In this game you can have two pieces of gear equipped to each hand and switch between them as you see fit, so I’ve still got my pyromancy and my Black Knight Sword at the ready, in case I fight an enemy far enough away or strong enough to need either of those, but for the most part, it’s the shield/spear combo that’s going to be carrying me through this area.

And carry me through it does. Now, both the shield and weapon I’m using now are far less effective than my standard gear, even after I’ve upgraded them with what titanite I had on me. The spear is weaker, taking me longer to kill, while the shield’s a lot smaller than my usual and can’t negate damage entirely. Still, the combination makes me pretty much immune to the engorged zombies toxicity, which is really what’s been sending me back to the bonfire repeatedly. I take more damage than I used to, but I still breeze through the area much quicker than I had been before.

Engorged Zombie Fireball

Now that I don’t have to worry about my enemies so much, I can explore some areas I completely missed before! For example, the rafters in one of the larger buildings I passed through on my way to the tower. This guy seen here has usually either completely missed me or dropped in on me while I was slaying his fellows on previous runs. Now that I’m climbing up to the rafters, he seems at a bit of a loss as to what to do. I make that decision for him. He can burn and die. There’s not a whole lot else going on in the rafters, although I do find an Egg Vermifuge. This is a sour-tasting, fuzzy chestnut that will purge any parasitic eggs that have been laid in my body. I sincerely hope I never have to use this. I take it anyway, because as my adventures in Ariamis have been demonstrating, only a fool goes unprepared. Besides, you can never tell what people are doing to my body all those many times I spend dead.

The rafters also lead me to a window with a ladder heading downwards, overlooking the fortress wall. I descend, and travel along the wall until I find a stairway descending into yet another room. Inside, I find a few more enemies to kill, and a chest containing a set of Painting Guardian clothes. You remember those guys in white that I killed by the bundle outside of this painting? The outfit they were wearing. I briefly ponder slipping it on myself and seeing if I can sneak by them, but I drop the idea quickly. As any woman who’s seen me would probably tell you endlessly, I’m really beefy. The waif-like Painting Guardians would probably be able to tell I don’t belong in a heartbeat. They’re probably all hollow anyways, and they seem to be able to tell who’s lost their mind already. Interesting fact in the description of these clothes, though. These guardians are charged with protecting the paintings of Ariamis, meaning there’s either more than one entrance to this world, or that Ariamis is the artist and has created several different worlds. Also, hollow or no, nobody remembers why they’re supposed to be guarding the paintings anyways. They just do it, probably because there’s nothing better to do in Lordran if you’re not the Best Chosen One.

Dark Souls Engorged Zombie Pyromancy

I make my way back to the beaten path, heading towards the tower that’s been my stopping point thus far. Now, I want to take a break here to show off something. I’ve killed these engorged zombies dozens of times before. You know this, you read the last post. But have you ever seen anyone burn so beautifully as this? Seriously, just look at that! Exquisite! I am an artist, and flame is my medium!

Dark Souls Crow Demon

Anyways, back at the tower, we go through our usual song and dance. First step, lure the crow demon out and engage him. He doesn’t have a whole lot of moves, and only one really dangerous one. Now that I know his tells he’s not much danger. He goes down after a few hits. He leaves behind a blood-stained, shrunken human ear. A Souvenir of Reprisal, it’s supposed to be proof that someone who has sinned against the gods have gotten their supposedly just desserts. It’s a human ear, though, obviously not from this demon.

Dark Souls Undead Dragon Fight

With the crow demon out of the way, it’s time to slay the dragon! Just like last time, I begin my march down the bridge, and the undead dragon charges me. From there, the fight unfold much like last time, although I’m playing a lot more defensively and keeping a better eye on him now. He only has two attacks, one where he vomits toxic sludge at me, and another where he tries to stomp on me. By paying attention, and staying out of the way when my stamina runs low, I’m easily able to avoid both. I simply swipe at whatever body parts are available until I run out of breath or he starts to move, then stay out of the way as he attacks before pressing forward once again.

This time, the dragon falls without doing much damage. He was barely even a challenge the second time around. He leaves behind a dragon scale, which will allow me to upgrade dragon equipment. I also find a Bloodshield behind him, a solid piece of gear that might be worth replacing my current shield with, should I bother to upgrade it.

Turns out that when the dragon charged me, well, only half of him actually did anything. All of him from the waist down is still waiting at the end of the bridge. It does nothing as I approach. I’m able to stand it upright, hitting the legs with a leaping attack, but all that’s behind it is the broken remains of the bridge. I could drop down to the bridge below for a shortcut of some sort, but I decide against it. There’s no telling where that will end up, and the fall’s going to hurt.

Continue reading

New Eden Page 2: The Pagening

They say a picture’s worth a thousand words.  In a lot of cases that’s true, but drawings do a piss poor job of conveying dialogue.  And I often like to make my characters talk.  There’s a lot of times over the course of New Eden where conversations need to be had.  Traditional graphic novel tactics are to either fill pages with word balloons or have a new page for every few lines spoken.  Neither option works for me.  The first, because that’s just not visually appealing and it’s really wasting a lot of the medium’s potential, and the second, because I’ll be damned if I’m going to draw several pages where everything is pretty much the same.  Luckily, I’m not working entirely in print here.  So generally, when conversations need to be had, we’ll get pages like this, some sort of relatively simple visuals, with the dialogue written out in a single, long, document.  Not entirely sure if it’s easier to consume like this, but it’s a lot easier on the author and I hadn’t intended this work to be read when I was creating it.

Also, writing teenage chatspeak is a lot harder than I thought it’d be.

New Eden Page 2

18:41 *** exodust joined #fullmoonmidknights
18:41 <Lorelei>and i don’t know what i can do for it
18:42 <exodust> heyyyy there are actually peepl here!
18:42 <exodust> u hav no idea how long i’ve been trying 2 get at least som of you talking =)
18:42 <@BigRed> I know.
18:43 <@BigRed> We’ve all been getting your e-mails.
18:43 <exodust> yay! sooooooooo….
18:43 <exodust> wat r we goin 2 play?
18:43 <@BigRed> …And you haven’t been reading ours apparently.
18:44 <exodust> or wen r we goin 2 play, mor like =)
18:44 <exodust> i ben reading em
18:44 <exodust> but not evry1 is 2 busy
18:44 <exodust> we cn start and te other peepl will catch up wen they cn play agn!!!
18:45 <Lorelei> i don’t think now’s the best time
18:45 <exodust> we hav 11 midknights
18:45 <exodust> some peepl hav 2 b availble
18:45 <exodust> like u guys!!! =)
18:46 <@BigRed> I don’t know that now’s the best time to get the group together again.
18:46 <exodust> come on!!!!! =(
18:46 <exodust> we havnt takn a game on n 4evr!!!
18:46 <exodust> wats da point f havng a clan for domn8ing games f we dont domn8 games!!!
18:46 <@BigRed> Hate, you know most of the group has better things to do right now.
18:47 <@BigRed> The Midknights will rise again, I promise, but now’s really not the best time.
18:47 <exodust> so!!! jus bcause som cant make it dosnt mean the rest of us cant play!!!!
18:47 <exodust> deres the 3 f us
18:47 <exodust> n i bet tsukami will play!! he alwys has time
18:48 <Lorelei> not me sorry
18:48 <exodust> so 4 of us
18:48 <exodust> wat!! y not!! =(
18:48 <Lorelei> i’ve got a campaign this week
18:48 <exodust> that only takes a cple days rite?!
18:48 <@BigRed> Isn’t Shaun starting college soon?
18:48 <exodust> we start now
18:48 <exodust> you start ltr wen ur dun
18:48 <exodust> we’ll powerlvl u so u cn catch up!!!
18:49 <exodust> and yah tsukamis goin 2 college
18:49 <Lorelei> … we’ll see
18:49 <exodust> n a couple months!!!! he can game now =)
18:50 <exodust> n mikey!! he’ll play 2
18:50 <@BigRed> His wife was just deployed again. I really don’t think he’s up to it.
18:50 <exodust> that jus means hes lonly and needs stuf 2 do
18:50 <exodust> itll be perfect 4 him!!
18:51 <exodust> hammer wont stay l8 @ work 4evr
18:51 <exodust> n wat abou r 2 mystery men
18:51 <exodust> angiel and silver
18:52 <exodust> nobody nos wats up wit them
18:52 <exodust> well cept u wit silv annie
18:52 <exodust> mebbe theyd be gud 2 game
18:53 <Lorelei> silver is really not available right now
18:53 <@BigRed> And Angiel hasn’t talked to us in months. I wouldn’t count on either of them.
18:53 <exodust> still!!! dats enuf peepl
18:53 <exodust> n we havn’t dun ne games in 4eeeeeeeeever!!!!!
18:54 <@BigRed> Yeah. Fine. Hate, I’ll get into a game with you. And we can put it to the rest of the group. We’re not going to get the full group here, but whoever wants to can pick it up with us.
18:54 <exodust> yay!!!!!!!!!!!!! =)
18:54 *exodust gives redman a big hug!!!!!!!!!!!!!! =)
18:55 <@BigRed> Did you have a game in mind?
18:55 <exodust> yes!!!!!!!
18:55 <exodust> new life!!!!
18:55 <Lorelei> …
18:55 <@BigRed> I don’t think I’m up for that.
18:55 <exodust> come on!!!!!!!!! =(
18:56 <@BigRed> You know there’s talk about banning that game here in the states.
18:56 <@BigRed> There’s all those missing person cases associated with the game, and nobody seems to know exactly how it works.
18:56 <exodust> u shud no how it wrks!!! u made the game didnt u?
18:56 <@BigRed> I don’t want to be the next person to get distracted by the holograms, or whatever it uses, and chase them into traffic.
18:56 <@BigRed> No, my team never worked on that game. It was some Japanese company, wasn’t it?
18:57 <exodust> but it has rdman n there! u put hm n all ur games rite?
18:57 <@BigRed> The Redman is just a basic test character. Lots of games put something like him in there to test out their programs before they develop their characters.
18:57 <exodust> oh!!
18:57 <exodust> well te gov is alwys talking down on vidgames n ur always talking down on them 4 that!!
18:57 <exodust> we jus gotta play before t gets banned!! cuz fter we wont get a chance!!
18:58 <@BigRed> I really don’t think it’s safe. Besides, I don’t have New Life.
18:58 <@BigRed> You should really stay away from it too. We’ll play some other game.
18:58 <exodust> but!!!!!! =(
18:58 <exodust> new life s supposed to hv <3exodus<3 n it!!
18:58 <Lorelei> exodus?
18:59 <exodust> yah!!! from neon dreams!!! they’r the best!!
18:59 <exodust> n the singer s sooooo smexy <3
18:59 <Lorelei> why would exodus be in a video game?
18:59 <@BigRed> Probably some product placement agreement. Those are popping up more and more in games these days.
18:59 <exodust> “thes days” hehe old man
19:00 <@BigRed> Smexiness of some metal band’s product placement aside, we really can’t use that game, Hate. I’m not playing it, and I wouldn’t imagine any of the other knights would be up for it either.
19:00 <exodust> y?!!! =(
19:00 <exodust> its new tech its cool n its cheap!!!
19:01 <Lorelei> is the new life tech really so bad, red?
19:01 <@BigRed> I don’t know, and that’s the problem. Nobody knows how it works.
19:01 <@BigRed> The company that makes it claims it reads brainwaves and sets holograms in front of your eyes, but nobody I know in the industry who’s tried it has any idea how it works.
19:01 <@BigRed> On top of that, there’s been a lot of disappearances after people have started playing that game.
19:01 <exodust> dats jus an rban legen!!!
19:02 <@BigRed> Police don’t get involved in urban legends. It’s dangerous. We’re not playing this game.
19:02 <exodust> ur not fun!!!!!!!!!!!!!!!
19:02 <@BigRed> We’ll play something else. Don’t worry. It’s just a game.
19:02 <Lorelei> changing the subject……
19:03 <Lorelei> before hate gets really ticked off.
19:03 <Lorelei> did either of you get a package from agla?
19:03 <exodust> agla sent you a package??!!!
19:03 <exodust> hes got a crush!!!!
19:03 <@BigRed> No, I haven’t gotten a package.
19:03 <exodust> silv is gon 2 b jelous!!
19:04 <exodust> wat was n it?!
19:04 <Lorelei> silver and i aren’t together.
19:04 <Lorelei> and it doesn’t really matter what was in it. i was just wondering if you guys got one too.
19:04 <Lorelei> it came with this weird letter, seemed like he thought it was really important for all of us to get one of his packages.
19:04 <Lorelei> it was weird.
19:04 <exodust> he hsnt ben roun n 4ever!!!!!
19:05 <exodust> dat s werd!!
19:05 <exodust> mebb i get a pack 2!!!
19:05 <exodust> dats xcitin
19:05 <exodust> y did u get it 1st, tho?
19:05 <exodust> meb ur closer 2 him?
19:05 <exodust> meb he livs in nedderlans 2!!!
19:05 <Lorelei> i don’t know. it doesn’t have a return address. the stamp is japanese, though.
19:05 <exodust> agla s japnees?!!
19:06 <exodust> i wudn hav gessd
19:06 <@BigRed> How did he get your address?
19:06 <Lorelei> i don’t know.
19:06 <Lorelei> silver had my address, but he wouldn’t have given it out.
19:06 <Lorelei> none of the other knights have it.
19:07 <@BigRed> That’s odd.
19:07 <Lorelei> guys, i have to go.
19:07 <Lorelei> it’s getting late, and i have a shoot tomorrow.
19:07 <exodust> bye annie! gud luck!!! play sum games wit me sometim!!!
19:07 <@BigRed> Goodknight, Anke.
19:07 *** Lorelei left #fullmoonmidknights

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Detouring in Dark Souls

Last time, on this, we were mightily questing through Anor Londo, the city of the lords, trying to fulfill some ancient prophecy or other about being the Best Chosen One, when we got waylaid by accidentally getting sucked inside a painting with no way out. Will we be able to fight our way our of the Painted World of Ariamis, or will we finally succumb to the difficulties this world’s been throwing at us and end our adventure here? I’ll give you a hint: I’m very awesome. Now join me in applying that awesomeness to our enemies, and see if we can break through!

So a bit of background on the Painted World of Ariamis. This was actually the first area developed for the game, used as a proof of concept to get the whole project approved. As the world of Lordran was developed, it was determined that this specific area didn’t really jive with the rest of the setting, but the developers were still determined to include it after putting all this work on it. So they added it in as an optional section, created by artifice and accessible by being transported through the painting, rather than as a real-world location within Lordran. To get in, you have to possess the Peculiar Doll we got when we visited our old cell back at the Northern Undead Asylum.

The description of the Peculiar Doll references an “abomination” that didn’t fit in with this world, and so the doll drew her into a painted world. Meaning that if I was smart, I probably could have expected this when I saw that giant painting. Alas, I did not. I also was totally unprepared for being dropped in a completely isolated location. Did you know there aren’t any shops in Ariamis? Did you know I’d been running a little lax on keeping my supplies filled? Once again, I can’t get out the way I came in. We’re going to have to find some other way of leaving the Painted World, and we just have to hope my supplies can make it long enough. In any case, I imagine we’re going to come across that abomination before we’re able to leave.

Dark Souls Ariamis Fortress

Across the broken bridge and around the bend, this is the sight that greets me. A bunch of hollows impaled on pikes before a ruined castle. The only path I can take leads right through the castle gates. Looks like I’m going to have to lay a one man siege here to make it through. Just me and my old undead self against all the fortress and everyone within it. I’d complain, but honestly, have you checked me out lately? I’m pretty much a wrecking ball given human form! I am a walking natural disaster! I am the world’s best chosen one! Ain’t nothing can hold me down! With the power of my self-assurances, I pass through the first gateway.

Dark Souls Ariamis Zombies

A few zombies try to rush me. Yawn. I’ve been killing these guys since I first broke out of the asylum. So long as they don’t rush me all at once, they’re absolutely no challenge.

Dark Souls Ariamis Zombie Archers

Pressing onwards, up some stairs and onto the castle wall, I’m given cause to rethink my previous statement as I come upon these withered hollow husks actually utilizing some tactics! An archer at the top of the staircase, ready to fire as I approach. He’s easily taken care of, but not only is there another zombie waiting in ambush at the top as I kill the archer, but his position is covered by yet another archer, giving me two attackers to deal with from two different directions after I deal with the first. I’m able to deal with this by taking shelter in a narrow stairway and forcing them to adjust to me, but I take a few hits from their initial ambush.

Continue reading

New Eden, Page 1

So here’s something I’ve been struggling with for a while.  I sometimes talk about writing here on this blog.  I’m fascinated by storytelling in a lot of different forms, both as a consumer and a creator, so it’s only natural that’d I’d like to discuss some facet of the craft or other.

Thing is, I feel like if someone is going to talk about writing, you really need to know where they’re coming from.  If someone has these big grandiose ideas about the art of creation, yet is a hack writer, that’s really going to color your impression of what they say.  On the other hand you’re going to take the words of someone who’s great at storytelling a lot more seriously.  I feel I owe it to those who’ve read my writing posts to give them a glimpse into my own work, to at least let them know where I stand in reading over my ideas and concepts.  But the only really creative work I’ve put up here has been my Let’s Plays, and really, those are just telling other people’s stories.  To fulfill my obligation, I need to make some of my own creative work public.  And therein lies the problem.

I’ve got a bit of a creative complex.  To me, only my current work is worth anything.  Once I’ve moved on from something, I start seeing all the flaws, and find it hard to look past it, whereas I’m convinced my current project is my best.  And who knows, I may be right.  It’d only make sense for me to keep growing with each work.  The one I’m on right now, though, is a little… different.  I’ve been trying to work on my meager skills in visual arts for a while now, and when I started my current project, I was wanting something that would give me a lot of practice in that area.  The story I was really wanting to write seemed to translate really well to a graphic novel, so everything worked out.  I’d write some kickass comic, draw the pages myself, and get both my writing and drawing practice in at the same time.

I just never intended anyone to read them.  To date, I’m 26 pages into my graphic novel, and only Harliqueen and Matt Harris have ever laid eyes on any of it.  Well, that ends today.  I’ve decided to take a stand against my own insecurities and start posting them here.  I’m still very much a learning artist, so the visuals are pretty rough and in several cases incomplete.  Compounding the problem, I don’t really have a great way of getting the images off paper and onto my computer.  But I’ve been enjoying this story than I have any other to come out of my head in a long while, and if I was going to be sharing any one of them, it’d be this one.  So, here’s New Eden.

New Eden Page 1

Transcript:

What if, as many believe, there are worlds beyond our own?

Not just other planets or galaxies, but completely new realms, universes, and planes?

And what if, in all these infinite possibilities for these infinite peoples in these infinite worlds, something, just once, went horrible wrong?

What if this disaster was not limited to the realm it started in?

And if that source world, its own cause lost, sent a warning cascading through the planes, would anyone else be prepared?

Would any other realm be able to stop it?

If even they couldn’t stop the calamity, with all their time to prepare, what would happen if there was one world…

that the message…

didn’t…

quite…

reach?

 

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